Even before I knew how to frame a shot, I would look at textures, reflections, the way a glimmer of light sculpts a face or makes skin shimmer. This instinctive sensitivity was my first visual language, the one that made me want to capture what usually doesn’t hold back.

Capturing light is the very etymology of photography, it was this light that led me to it.

Sport came next, naturally, at the heart of the world in which I was evolving. My first professional projects were in paragliding: a field where everything is movement, spontaneity, and presence in the moment. Then portraiture imposed itself, as if it were obvious. Telling a story through a person, revealing a personality rather than a simple image. Fashion gave me the space to compose. To choose a face, a light, an artistic direction. To construct an intention. To give coherence. That's where I refined my eye, before returning to sports with a different style: more narrative, more controlled, more sensitive.

Today, my work lies at the intersection of these two worlds. I like to capture the moment when it arises, and create it when it doesn't present itself. Composing an image where each element—the light, the material, the presence—accurately conveys what words cannot always express.